Novels and fiction collections:
- "Forth person singular". Novel. Hamoun Pub. 1998.
- "Make me Time to pass". Collec'on of short stories. Niloufar Pub. 2000
- "If she is Leila, who am I?". Collection of short stories. Avam-sara Pub. 2001
- "Picture on stories", a mul' media fic'on. Negah Pub. 2009
- "Excuse my syntactic mistakes", a poem collection. Salles Pub. In press
- "Some … which doesn't fill", a film-fiction. Salles Pub. In press
Translated books:
- Jonathan D. Culler , “The pursuit of signs: semiotics, literature, deconstruction”, trans.
Leila Sadeghi Esfehani. Elm Pub. 2009
- “Metaphor and Metonymy at the crossroads” (2003), A cognitive perspective, Ed. Antonio
Barcelona, trans. Leila Sadeghi Esfehani. Elm Pub. 2009
- Stanley Bubien, "The grand illusion: “I’m in control!”, Collection of short stories, trans. Leila
Sadeghi Esfehani. Avam-sara Pub. 2003.
Articles:
- Electronic Name Address as Individual Identity, “Magazine of Cultural Studies”, In Press.
- The function of codes in the interpretation of “Rooster” (A novel by Ebrahim Golestan),
“Pazand”. The scien'fic journal of Language. 2008, no. 14, Vol. 4.
- A structural study about “Look at the moon”, (a musical performance by Mohammad Javad
Safari) “Kargozaran newspaper”, Sunday, October 5, 2008, no. 605, p 5.
-Study of symbols in “House of Sand and Fog”, (a movie by Vadim Perelman) “woman's
voice Magazine”, May 21, 2008, no. 56, p. 20.
- About “Summer House, Later”, (a fiction collection by Judith Hermann) “Negareh
Magazine”, 2008, no. 4, pp. 30-33
- About “A city of single person”, (a fiction collection by Marjan Basiri) “Kargozaran
newspaper”, November 26, 2008, p. 12.
- Semiotic approach to Photography, (Copy, an exhibition by Javid Ramazani) “Aks
Magazine”, 2007, no. 238, pp. 34-35
- Now it is whose story, (about Emran Salahi's works) “Ferdosi Magazine”, March 24, 2007,
no. 53, p. 18
- Comparative research between “The Nocturnal Harmony Of Wood”, “Slaughterhouse-
Five”, and “Blind owl” (The Nocturnal Harmony Of Wood Instruments, a novel by
Reza Ghasemi) “Kelk Magazine”, August 25, 2004, no. 149, pp. 43-47.
- A note on “it is our passed away house”, (a theatre presentation by Hamed Mohammad
Taheri) “Shouka Magazine”, September 1, 2004, no. 3, pp. 70-71.
- Multi centrality in “The moon went directly”, (a fiction collection by Ali Samadpoor) “Bidar
Magazine”, September, 2002, no. 17, p. 11.
- Who turns off the lights, (The lights, I turn off, a novel by Zoya Pirzad) “Bidar Magazine”,
2002, no. 18, pp. 9-13
- The secret of dead book is in its being alive, (The Real Life of Sebastian Knight, a novel by
Vladimir Nabokov) “Bidar Magazine”, 2002, no. 14, pp. 10-14
- If the director performed just 1.3 of his thoughts, (Dog Killing, a movie by Bahram Beyzaie)
“Bidar Magazine”, 2002, no. 16, pp. 99-101.
- Multi narrativity in “Low Altitude”, (a movie by Ebrahim Hatamikia) “Hamshahri
newspaper”, September 2, 2002, no. 121, p. 2
- The structural study of “Prince Ehtejab”, (a novel by Houshang Golshiri) “Hayat no
newspaper”, June 21, 2001, p 4.
- About “winter sleep”, (a novel by Goli Taraghi) “Hayat no newspaper”, July 26, 2001, p 6.
- As you had told everything just Leyli, (As you had told Leyli, a novel by Sepideh Shamlou)
“Hayat no newspaper”, June 11, 2001, p 7.
- Naked in the novel, (Naked in the wind, a novel by Mohammad Mohammadali) “Kelk
Magazine”, 2001, no. 4, pp. 34-35
- The blinds who can see, but don't, (blindness, a novel by José Saramago) “Aria
newspaper”, August 10, 1997, p 8.
